To avoid monotony in your beats, experiment with alternating 2 or more clap/snap combinations throughout the song. You can receive invaluable advice on this avoiding those conflicts by subscribing to our free email tips.Ģ) When making a beat, keep in mind that your snare tracks can be widened by layering stereo claps & snaps on top of main snare hits. If the layered kick is out of tune or out of phase with the main kick, you produce a beat that’s flat, or attenuated. Take care, when layering bass drum samples, not to cause frequency conflicts. By triggering the ambient background kick in time with the main kick, you’re able to maintain the original timbre & feel while also widening the kick’s field & depth. In the diagram below, in the settings for channel 4, a high cut filter has been enabled within the reverb to knock out the high frequencies. Below, in Ableton Live, the main kick is sequenced on channel 5, with the background kick on channel 4.Īlso, you can route the background kick through a low pass filter which can remove unwanted highs created from the reverb, or - depending on the reverb - you can damp the high frequencies using the reverb settings. A surefire method for creating ambience is to route the background kick through a short room reverb (stereo). The aim here is to create ambience with the newly added background kick. An effective way to remedy the problem is to apply a few widening tricks to the kick & snare mix:ġ) Starting with the kick, create a stereo field by layering the main kick with an secondary background kick. These narrow drum mixes throw off a song’s overall balance where instrument tracks sound too wide in comparison. Many amateur productions have narrow, almost mono, drum mixes. A good drum mix requires an evenly balanced stereo field & soundstage. What’s the difference between a solid drum beat, and a flimsy drum beat? Many times, the difference is the mix.
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